This is a past event.

Stephanie Syjuco, Neutral Calibration Studies (Ornament + Crime) (detail), 2016. Wooden platform, neutral grey seamless backdrop paper, digital adhesive prints on laser-cut wooden props, dye-sublimation digital prints on fabric, items purchased on eBay and craigslist, photographic prints, live plants, neutral calibrated gray paint, 10 x 20 x 8 feet. Courtesy the artist.
Stephanie Syjuco, Neutral Calibration Studies (Ornament + Crime) (detail), 2016. Wooden platform, neutral grey seamless backdrop paper, digital adhesive prints on laser-cut wooden props, dye-sublimation digital prints on fabric, items purchased on eBay and craigslist, photographic prints, live plants, neutral calibrated gray paint, 10 x 20 x 8 feet. Courtesy the artist.

Stephanie Syjuco: Rogue States

Artist Stephanie Syjuco was born in Manila and immigrated to the United States with her family when she was three years old, which gave her an American education and an immigrant's eye for our national blindspots. It's these blindspots that inform the art in her exhibition Stephanie Syjuco: Rogue States, which opens with a free reception at 7 p.m. Friday, September 6, at the Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). The title of the show comes from her installation of 22 flags that were used to represent the flags of made-up nations in various American films. Also in the exhibit is her large-scale installation Neutral Calibration Studies (Ornament + Crime), which comprises artifacts representing both colonizer and colonized societies. Cultural objects such as wicker chairs and traditional rugs Syjuco purchased online, cardboard cutouts of people and actual artifacts are mixed together in a larger-than-life diorama. Nestled in the background is a color photograph of the "stone-age" tribe of the Tasaday, found on a remote island in the Philippines in the early 1970s, who were actually modern people posed by a photographer. Rogue States continues through December 29, and the museum is open Wednesday through Sunday.

— Paul Friswold