Drawing on the Zen Buddhist principles that informed Tadao Ando's design for the Pulitzer Foundation headquarters in which it is housed, this exhibition (which marks the foundation's tenth anniversary) places 22 Buddhist art objects in the Pulitzer's serene galleries to revelatory effect. An assortment of art from several major Buddhist traditions — some dating as far back as the second century CE — the exhibit reaffirms the subtle distinctions between the various spaces in the museum while surveying the exquisite and subtle nuances of this historically and philosophically profound genre. One needn't be versed in Buddhist culture to appreciate this show: The works communicate with the viewer on an intuitive level and in dialogue with the space; simply taking them in incites a sense of elemental pleasure. Those familiar with Buddhist art history won't fail to note the sheer quality of the artworks presented, on loan from several major museums. The handful of contemporary works that punctuate the exhibit — a photographic diptych by Takashi Murakami, a lilting video by Oscar Muñoz and Ellsworth Kelly's Blue Black
— serve as artful ties to the aesthetic and temporal present while underscoring the focus on reflection and ephemerality. Yet a sense of the present is most vividly evoked by the vicissitudes of the natural light that is such an integral element of Ando's design. Reflecting off sculpted folds of cloth, highlighted in gold, and dimly glimmering in jeweled insets, the Pulitzer's choreographed light imbues these pieces with a placid sense of enlightened interiority that places the viewer firmly in the moment and, simultaneously of a piece with something calmly unknowable. Through March 10 at the Pulitzer Foundation for the Arts, 3716 Washington Boulevard; 314-754-1850 or www.pulitzerarts.org
. Hours: noon-5 p.m. Wed., 10 a.m.-5 p.m. Sat.
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