Featured Review: Triumph of the Wild
Chronicling America's history of violence from the Revolution to the War on Terror, indie animator Martha Colburn compresses this durable urge into a ten-minute phantasmagoric onslaught in the most recent installment of Saint Louis Art Museum's New Media Series. Aligning hunters with soldiers, a parallel is sketched between bloodlust in the natural world, where man seeks game, and the technology of war, where man seeks man. Using swatches of old magazines, discarded portions of advertisements, bright cartoon drawings and tiny jigsaw puzzle pieces, Colburn is a scavenger herself, mining vernacular cultural detritus to illustrate her grand theme and, in the process, creating yet another analogy: between war and waste. The self-trained New York-based artist, whose prolific career has involved many musical collaborators — from Jad Fair and Serj Tankian to the band Deerhoof — here chooses a frenetic piano score written by Thollem McDonas, lending the brief film a retro-patina. Bombs explode, fires ravage forests and platoons, and animals plot against one another in a jagged, sped-up pace that recalls Buster Keaton slapstick. What initially appears to be a twee montage of colorful cartoons and coupon-book clip-outs proves to be nothing of the kind. Limbs fly, corpses disintegrate and Jesus blooms from the clouds to carry a soldier to darker fates, all in a swift, relentless sequence that complicates whatever awkward beauty gilds the film's surface. Through September 5 at the Saint Louis Art Museum, 1 Fine Arts Drive (in Forest Park); 314-721-0072 or www.slam.org
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