Featured Review: Ansel Adams in Yosemite
Ansel Adams' photographs of Yosemite National Park long ago became the ubiquitous stuff of classic Americana — appearing so commonly on greeting cards, posters, postage stamps and calendars that it seems strange to encounter them in an art museum. Collectively, Adams' depictions of the American West became the icon for our notion of Mighty Wilderness around the time that Hollywood generated a similar myth via the Western. Reality, in short, is not often memorable. Looking at Adams' work as art takes a little effort, peeling back the layers of their less-sublime resemblance to cheap reproductions — or, perhaps more sublimely, to languorous landscape pans in John Ford films. But make the investment and you'll be rewarded: The real work holds up. You have to peer deeply into these pieces — as though through Adams' camera lens itself — framing minute-seeming valleys of trees, dwarfed beneath massive cloud-covered mountains. In the low light of the museum, the experience of looking at these images compels an almost voyeuristic awe at all things natural — that these exquisitely perfect photographs are, possibly, some of the closest things to nature we can readily know. Through September 20 at the Saint Louis Art Museum, 1 Fine Arts Drive (in Forest Park); 314-721-0072 or www.slam.org
. Hours: 10 a.m.-5 p.m. Tue.-Sun. (open till 9 p.m. Fri.).
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