Featured Review: American Framing In the three photographic series that make up Jessika Miekeley's first solo exhibition in St. Louis, images appear less as landscapes, portraits or objects captured than as subtle evocations of ideas and the emotive mind. In Jacket various coats — made of fur, quilted cotton, bright red wool — are pictured in empty repose on a chair and assume qualities of the body without a body to fill them. In American Framing an imposing male figure, his back turned to the viewer, contemplates assorted nightscapes, but neither the specifics of his character nor the peculiar import of the vaguely suburban and industrial scenery are the points of focus. Rather, this work has a wholly conceptual presence, wherein the slightest misalignments of folded cloth, torn fur or night's saturated darkness describe nuances of absence, isolation and the unutterable vicissitudes of thought. Here, in these crisp and mysterious images, objects or scenes are recognizable not by their common name and purpose, but by the ineffable messages they imply. Through January 9, 2010, at the Sheldon Art Galleries, 3648 Washington Boulevard; 314-533-9900 or www.thesheldon.org. Hours: noon-8 p.m. Tue., noon-5 p.m. Wed.-Fri., 10 a.m.-2 p.m. Sat.
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