Currents 92: Anna Kuperberg After receiving her BFA at Washington University, Anna Kuperberg spent much of her time in south St. Louis, cruising the streets and snapping images of neighborhood kids. These astonishing photos show the kids playing, crying or lost in their thoughts; they reveal moments of sheer joy, straight-faced seriousness and -- quite often -- disquieting ambiguity. Like street photographers of the 1950s and '60s -- Helen Levitt, William Klein and Garry Winogrand, for example -- Kuperberg works the old-fashioned way, with a 35mm camera and without cropping the negative, which means it's all in her eye. And but for the stray contemporary logo or soda can, these photographs could have been made 50 years ago. Some things, thankfully, never change. Through November 28 at the Saint Louis Art Museum, 1 Fine Arts Drive; 314-721-0072. Gallery hours 10 a.m.- 5 p.m. Tue.- Sun., 10 a.m.-9 p.m. Fri.
Keith Piper: Crusade British artist Piper had never been to St. Louis, hadn't heard of Lewis & Clark and was vaguely aware of the Dred Scott case when the Contemporary invited him to town. It's a testament to his keen eye, intelligence and wit that he has put together one of the most striking artistic commentaries on St. Louis' complicity in the slave trade and the Underground Railroad (among other key moments in the city's history). Using the crusade as a pliant metaphor for Manifest Destiny, slavery, colonization and subjugation, Piper combines in stunning historical tableaux high-resolution moving images and digitally collaged photographs of the city and its surroundings. Also on view is New Video, New Europe, video works from 39 artists from Eastern Europe. Through November 21 at the Contemporary Art Museum St. Louis, 3750 Washington Boulevard; 314-535-4660. Gallery hours 10 a.m.-5 p.m. Tue.-Sat. (10 a.m.-7 p.m. Thu.), 11 a.m.-4 p.m. Sun. -- Ivy Cooper