Defending the Caveman A sitcom-mentality stage play experience without the pesky problems of character relationships or plot. As a play, its pretty good stand-up comedy -- especially for married couples who embody stereotypic gender roles. The solo character is a married guy trying to defend men from disdain. Its not that guys are assholes, he explains. They just come from a different culture. Creator Rob Becker romanticizes cavefolk as a model society: They respected and honored gender differences. Nobody called the cavewoman a bitch, nobody called the caveman an asshole (perhaps because language hadnt yet been invented?). Unfortunately the material doesnt really build. Cody Lyman (from Chicagos Second City) plays the Caveman. Open-ended run at the Playhouse at West Port Plaza, 635 West Port Plaza (second level), Page Avenue and I-270, Maryland Heights. Tickets are $35-$39.50. Call 314-469-7529. (Deanna Jent)
Fences Reviewed in this issue.
Frozen British author Bryony Lavery's chilling inquiry into the minds of a serial-killer pedophile and the mother of one of his young victims makes for a riveting two-character drama. Nancy, the grieving mother (Pamela Wiggins), travels an enormous emotional distance from self-denial to guilt to forgiveness. As the murderous molestor, Arnie Burton delivers a riveting performance that sweeps the viewer into uncharted territory. Unfortunately, Lavery wrote this play for three characters. The role of the clinical research psychologist (Henny Russell) feels somehow tacked on, and her problems seem contrived compared to Nancy's. Fact remains, though, the play is a serious attempt at penetrating "the Arctic frozen sea that is...the criminal brain," and when Burton is onstage, the production is carefully taut. Produced by the Studio Theatre of the Repertory Theatre of St. Louis through February 6 at the Loretto-Hilton Center, 130 Edgar Road, Webster Groves. Tickets are $29-$44 (rush seats available 30 minutes before curtain: $8 students; $10 seniors). Call 314-968-4925. (Dennis Brown)
The Lion in Winter It's easy to see why actors love this play: It's an all-you-can-eat buffet on the Emotional Express. The audience, on the other hand, has to get by with crumbs of plot and a large serving of salty repartee that rarely sounds genuine. Set in 1183, the story features the feud between King Henry and Queen Eleanor over which of their sons will inherit the throne; think of it as a medieval version of Who's Afraid of Virginia Woolf? Working hard in the meaty roles of Henry and Eleanor, Bill Stine and Donna Weinsting create the most compelling moments in the production but can't quite overcome the script's flaws. The supporting cast sometimes shines and sometimes dashes through emotional transitions as if they're in a hurry to get done, while the deadly silent blackouts between scenes kill momentum. Presented by Off Center Theatre Company through February 5 in the Theatre at St. John's, 5000 Washington Avenue (at Kingshighway). Tickets are $12-$15. Call 314-995-2679. (DJ)
Stones in His Pockets Joe Hickey and Timothy McCracken portray two ambitious extras living the life of O'Riley on a big-budget Hollywood production on location in County Kerry, Ireland. With astonishing dexterity, the two actors also enact thirteen other roles, male and female, old and young, Irish, British and American. No mere gimmick, this, for by evening's end the play makes telling observations about an Ireland whose concept of America is as illusory as a giant image on a silver screen. Marie Jones' script is both amusing and thoughtful, and the delightfully realized production could not be bettered. Produced by the Repertory Theatre of St. Louis through February 4 at the Loretto-Hilton Center, 130 Edgar Road, Webster Groves. Tickets are $13-$58. (Rush tickets available 30 minutes before curtain: $8 students, $10 seniors.) Call 314-968-4925. (DB)
The Trojan Women Reviewed in this issue.