(Thanks to bands for permission to post these MP3s!)
Cross Examination www.myspace.com/crossexamination In the liner notes to Slayer’s 1996 cover album Undisputed Attitude, the group explains that while bands such as Minor Threat and D.R.I. weren’t all that fast, they appreciated their intensity. Well, maybe those early hardcore outfits, which Cross Examination resembles, weren’t speedy by metal’s standards, judged by double-bass beats-per-minute and total solo-notes shredded, but they sounded as if they were about to combust. It’s the difference between an airplane, cruising overhead at some unfathomable velocity, and an overtaxed car doing 150 on the highway. Other acts might be technically quicker than Cross Examination, but they’ll never sound more reckless, dangerous and, well, fun. -- Andrew MillerMP3: Cross Examination, "Menace 2 Sobriety"
Head On Collision www.myspace.com/headoncollisionmetal Not many bands in town go around representing for "thrash." To the general public, the idea of thrash metal might seem outdated or at least uncool -- that is, until it’s seen Head On Collision. With HOC there is no tounge-in-cheek posing, just good, solid, home-grown metal. The drums are heavy, the singing is best described as gutteral screeching and the guitar licks are straight-up evil, God love 'em. There aren't many bands like that around here, and Beer City Records is doing all it can to steal it away from us: signing the band, throwing money behind the release of its new album Ritual Sacrifice and sending it out on the road for most of the summer. Come back soon, HOC, you'll be missed. -- Jaime LeesMP3: Head On Collision, "Executioner"
(Head on Collision, by photomistress.com)
Heroes of the Kingdom www.myspace.com/heroesofthekingdom The members of Heroes of the Kingdom have lived up to their mighty name since storming onto the scene last year. The quartet’s live gigs continue to pulverize the eardrums, while its long-awaited album features a brawny distillation of He-Man riffs, rust-colored Midwest post-rock and KSHE jams – without sacrificing melody or nuance. -- Annie Zaleski Blueberry Hill’s Duck Room, 2 p.m.